Sooooo, you couldn’t say that May 2014 has been the most productive month ever. That ugly monster Real Life reared its head and took a huge bite out of my time. I had some new training opportunities at my job and couldn’t pass it up. (and after 40 hours of bike training there is no sitting in front of a computer screen *wince*)

But now all that’s done and over with, and it’s back to the grindstone.

…and it’s a pretty big grindstone…

While, it’s true that this month has not been conducive to my actual writing, a few things have happened that, in the long run, I think will have lasting productive effects on my writing.

I’ve had a couple fantastic interviews with some outstanding authors and had the opportunity to read their works ahead of release dates. That in and of itself is cool! And through those interviews, I have learned about writing.

My TO DO LIST is constantly growing and my screen is covered with little digital post-it notes. My daily reminder that I wish I didn’t have a day job…

I’m still trying to finish up by crime/mystery Beast, and I just got the okay for my science fiction reimagining of a classic child’s story (mine won’t a fairy tale). I have also been in discussions with a fellow author to do some collaboration work on an epic science fiction saga (think Game of Thrones in space).

I’ve said it before and I’ll say it again, 2014 is shaping up to be a big year. This is a very exciting time to be a writer—and a reader for that matter!

My short story The Watch is now FREE at NoiseTrade.com and if you have $0.99 to spare hop on over to Amazon and buy it and leave a review! Indie Authors are nothing without reviews from their readers! Go grab it and give it a read!

Next week my interview with author Scott Moon will be live, along with a cover reveal for his upcoming release. I reviewed his first novel, Dragon Badge, last year and can’t wait for his newest work to release!

“Jason Gurley will be a household name one day.” – Hugh Howey, New York Times Bestselling author of Wool.

In the world of Indie Publishing, when you hear the name Jason Gurley, what is your first thought? Mine to, beautiful covers. Well, maybe Greatfall, but also covers. And Eleanor…but I digress.

Jason has designed many beautiful covers for some very talented writers over the last year or so, and let’s be honest; most of these covers kick the crap out of their Traditional counterparts. But creating beautiful cover’s isn’t the only thing that Jason does well.

His Movement novels take readers into the far reaches of space, to a bleak future and a desperate fight for nothing less than the survival of the human race. Greatfall gives readers a taste of what life is like in one of Hugh Howey’s Silos, and it’s pretty gruesome. His novels are detailed and engaging and his characters tend to jump right out of the pages.

With the accessibility of the ebooks now, short fiction is starting to make a comeback. I really enjoy Jason’s novels but I love his short stories. They don’t feel like short stories at all and some are so powerful that I was thinking about them days later.

With Deep Breath Hold Tight releasing today (read my review here) and his highly anticipated Eleanor coming out June 27th, not to mention all the cover work he’s got on his plate, Jason was able to find a few minutes to chat with me about his work and how he stays on top of it all.

Ladies and Gentlemen, Jason Gurley:

Josh Hayes: Thank you so much for taking the time out of your busy schedule to sit down and chat with me.

Jason Gurley: I’m a big fan of sitting down, and what else can one do while sitting except chat? … Well, okay, a lot of things. But I’m happy to be here. Thanks for inviting me!

JH: Can you tell us a little about yourself? 

JG: Such an open-ended question! My favorite baseball player, when I was a kid, was Darryl Strawberry. I want to be Superman when I grow up. I’ve never been to the bottom of the ocean. 

I’m thirty-five. I’ve been writing books since I was eighteen, though I can tell you right now that you don’t want to read the first three. They’re the kind of books that eighteen-year-old boys write, which is to say they aren’t all that good. I’ve been self-publishing since early 2013, but dreaming of sharing my stories with readers for as long as I can remember.

JH: You have created a fantastic original world with the “Movement Trilogy” and your numerous short stories have given readers brief glimpses into your imagination. You have also spent time in other people’s worlds, i.e. “Greatfall” and “Neptune Confidential.” Can you tell us the differences (if any) of working in another’s literary world to your own and which do you enjoy more?

JG: Thanks! There are definitely differences between those two experiences, both for readers and for me. Greatfall is a novel set in the world of Wool, the oppressive, dystopian series written by Hugh Howey. And Neptune Confidential is a short story that takes place in the Veronica Mars universe. When I write fan fiction, I have to actually be a fan, and as a fan, I like the secret stories that don’t get much attention in the canonical works. While Wool tells the origin story and uprising of the silo, Greatfall imagines a silo that’s been cut off from humanity, and asks the question: What if this silo entered an age all its own? What if it developed into a theocracy? And Neptune examines one of the great supporting cast members of Veronica Mars — the abrasive, snarky, duplicitous Vinnie Van Lowe — and tells the story of his great lost love. 

Of course, Greatfall turns into a brutal horror novel, and Neptune opens with the murder of Vinnie’s love, so clearly I’m not good at happy alternate realities. 

There’s a lot of fun to be had writing in another person’s world, taking their characters and rules out for a spin to see what can be done with them. But as fun as it is, it’s nowhere near as enjoyable as constructing your own.

JH: The term “Jason Gurley Cover” is now a staple in the Indie publishing world and let’s be honest, they are amazing pieces of art! What made you want to create your own covers and then turn that into a business?

JG: That’s really kind of you to say. And I’ve heard those sort of compliments, and they’re so nice to hear. But while I’ve been a designer for fifteen or sixteen years — that’s how I make my living even now — I’ve only designed covers since I started self-publishing. It seemed natural that I would design my own book covers. It was never my intention to go into business as a cover designer. But you design one cover for Hugh Howey…

JH: With your cover design business taking off, how do you manage your time between that and your writing?

JG: Ah, the million-dollar question. Well, it’s not quite that simple, really. Writing and designing book covers are only a fraction of my life. I have a very fulfilling career as a designer, solving often complex and interesting user experience problems. I’m also a husband to a ferociously ninja knitter, and we’re parents of a two-year-old who is probably going to grow up and be an architect who specializes in blanket forts.

You used the word ‘manage’, but what I think I’m actually trying to achieve is balance. I’m just one guy, with as many hours in a day as everybody else. I spend as much of that time as I can with my family, and I give my best to my design career, and when my free time rolls around, I have to prioritize things. And as much as I do enjoy designing book covers, I’m not a book cover designer. I’m a writer.

It’s safe to say you’ll see fewer and fewer book covers as the year continues, but hopefully you’ll see more and more books with my name on them instead. 

JH: There are many writers (myself included) who are working to create the best possible book they can, with your success with long form and short, can you give any advice on the art and science of writing and creating beautiful books.

JG: I don’t know how scientific I can be, but I certainly think about beautiful books all the time. As an independent author, it’s extremely important for me to remove as many barriers to my books as I can. I want a reader to look at the cover and see something as impressive and evocative as anything that comes from mainstream publishers. I want them to open it up and see thoughtfully designed interiors. And most importantly, I want to give them a great story. An awful lot goes into making that happen, and it’s very difficult to do all of that on your own. I try to do all of it on my own — at least the writing and designy parts — but beginning with Eleanor, I’ll have some help from an editor (the exceptionally talented David Gatewood, an indie sensation in his own right) and a last-line-of-defense proofreader, just to make sure the reader gets as well-crafted and cared-for book as possible.

JH: “Eleanor”. That word almost seems like a mythical creature, a legend so powerful and mysterious that great care should be taken when speaking it. Stephen King said of “The Dark Tower” series that it was his magnum opus, would it safe to say that the same applies to you and “Eleanor?”

JG: I’d certainly hesitate to compare it to anything as grand as that. But it is, for me, the novel that has consumed me the longest. I started writing Eleanor in 2001, and she’ll be published later this year, after more than a decade of writing, rewriting, torching, resurrecting, and even a slight detour into graphic novel territory a few years ago. The book began as a vehicle of sorts for some soul-searching I was doing, but as the years passed and I didn’t need to search so much anymore, it finally began to break free of those restraints, and it’s grown into its own complicated, beautiful, dark, twisted thing.

It’s a little different from most of the other books I’ve written, though. It will be interesting to see how people feel about it. I certainly hope that it finds some passionate readers, after all this time.

JH: What can we expect for the world of Jason Gurley in the next year?

JG: Well, definitely fewer book covers. I haven’t been accepting new commissions for a while now, and I’ve even made the difficult decision to end some projects that haven’t begun yet. That was difficult for me to do, and I certainly hope the authors who now have to find a new designer understand that it was a decision that I needed to make in order to achieve even some semblance of balance for myself and my family. I’m grateful that most have been understanding and supportive, and can relate in their own way.

As for writing, where I hope my energies will be freshly applied, readers can expect two things for certain: Eleanor, which could be published this summer or even earlier, assuming my editor doesn’t think I’ve written a huge doorstop; and The Travelers, the final book of my Movement series. What’s most exciting for me, however, is what comes after that. For the first time in thirteen years — after Eleanor, which has been a dream and a curse at the same time — I’ll be able to ask myself the question, “Huh. I wonder what I should write today?”

I really can’t wait to see what the answer is.

JH: Jason, it has been a privilege to chat with you and thank you again for taking the time to speak with me. I look forward to “Eleanor” and everything else that follows!

JG: It’s been a pleasure, Josh — thanks so much for letting me hang out here with you awhile!



You can get news about all of Jason's books, as well as information about his brillant cover designs at his website: jasongurley.com. Drop by his Facebook Page and be sure to follow him on Twitter @jgurley


Check out my review of Deep Breath Hold Tight (which releases today) and get your own copy!